The control room is large and comfortable and offers neutral listening. You will find everything needed for analogue recording and mixing as well as digital. The interface here is UAD Apollo Quad, 8 + 16. Bring your own Mac or be recorded in Logic X via the studio Mac. Get a great mix done here or take the sound files with you on an external hard drive.
The studios Otari MX80 was owned by acknowledged producer Douglas Carr and used for recordings with artists such as Meja, Ace of Base, Leila K and Army of Lovers.
Analog or digital?
Analog recording differs a lot from digital, both in production and sound quality. How hard you hit the tape, the formula and recording speed highly affect the final result. So why go through all the extra work and also have the limitations in tracks? The simple answer is: because it sounds so much better! But there is more.
The analog recording process differs greatly from the digital one. Analog recording is a bit like performing without a safety net. In the digital domain it’s easy to edit anything and to undo decisions. In analog it’s quite the opposite. Which makes everybody, musicians included, more alert. When recording analog it is more important making a really great take, simply because it’s not so easy to make changes afterwards.
The MX-80 at Omnivox is a 24-track. If you decide to work purely in analog, thats the number of channels you have got. (There are methods of cheating – more later). Probably rewer than you are used to, but many classic albums have been recorded with less. Fewer channels means you have to take more immediate decisions. consider track-space, and think about whether you really have room for 12 mics on the drums alone.
Preparations for analog recording are more extensive than digital recording. The tape machine is demagnetized and cleaned several times during a day of recording, 2″ tapes are demagnetized and possibly baked.
If you would like to record by analog and then digitize, which is quite common here, you can borrow studio tapes for free and have them digitized, after which studio tapes are erased and then reused in other projects.
If you want to save your tape-recordings in physical form you must bring your own tapes. If you are planning to bring your own tapes, always contact us well in advance as the tape machine might need to be calibrated according your tape type.
The 2″ machine at Omnivox is set up for recording with 499-tapes.
The 1/4″ machine is set up for 900-tapes.
Best of two worlds
We often like to track live to tape, digitize and continue working in the digital domain. This is not strictly puritan but you get the best out of the analog domain and the possibilities of the digital.
The control room offers the following:
Mixing console: Trident Series 65, 24 ch
Monitors: Urei 813 + Snake Speakers
Tape machines: Otari MX80, 2″, 24 ch, Studer A 807, 1/4″
Computer: MacPro, DAWs: Logic 9 and Pro Tools 9
Outboard: UAD LA-610, Tube-Tech LCA-2B, Stocktronics plate-reverb, Roland RE-501, Eventide H910 etc.
Microphones: Ehrlund handbuilt tube microphones, Ehrlund Ehr, ‑D och ‑E microphones, + Beyerdynamics and GA ribbon mics, Shure SM7, SM 57s, Sennheiser, Rode etc.
Listening: Hearback system with 5 personal mixers.
Loaning gear is included in the price
The use of mics and outboard equpiment, instruments and amps is included in the studio rent. You can also bring your own gadgets that you are familiar with. Please call and discuss prior to your stay at the studio. Phone +46 702 069 918 or email.